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Cash & Carter unveil debut EP ‘No Use Praying’

<p class&equals;"wp-block-paragraph"><strong>Following a string of enthusiastically-received singles&comma; the harmonious Cash &amp&semi; Carter will be releasing their debut EP&nbsp&semi;<em>No Use Praying<&sol;em>&nbsp&semi;on 5<sup>th<&sol;sup>&nbsp&semi;January 2024&period;<&sol;strong><&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<figure class&equals;"wp-block-image size-full"><img src&equals;"https&colon;&sol;&sol;countrymusicnewsblog&period;com&sol;wp-content&sol;uploads&sol;Cash-Carter&period;jpeg" alt&equals;"Cash &amp&semi; Carter" class&equals;"wp-image-40108"&sol;><&sol;figure>&NewLine;&NewLine;&NewLine;&NewLine;<&excl;--more-->&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">Formed through a combined love of and skill for songwriting&comma; Birmingham musician&nbsp&semi;<strong>Shaun Smith &lpar;aka Stealth&rpar;<&sol;strong>&nbsp&semi;and London producer&comma; singer and writer&nbsp&semi;<strong>Ross O’ Reilly<&sol;strong>&nbsp&semi;have come together to release a set of songs under the moniker&nbsp&semi;<strong>Cash &amp&semi; Carter<&sol;strong>&period; Paying tribute to the legendary country icons both through name and musicality&comma; the duo present their debut EP&nbsp&semi;<em>No Use Praying<&sol;em>&comma; inspired by classic artists such as&nbsp&semi;<strong>The Eagles<&sol;strong>&comma;<strong>&nbsp&semi;Creedence Clearwater Revival<&sol;strong>&comma;and<strong>&nbsp&semi;Crosby Stills &amp&semi; Nash<&sol;strong>&comma; as well as the likes of&nbsp&semi;<strong><a title&equals;"Chris Stapleton" href&equals;"https&colon;&sol;&sol;stubhub&period;prf&period;hn&sol;click&sol;camref&colon;1100ljXyr&sol;pubref&colon;WPSStapleton&sol;ar&colon;CMNBAutoLink&sol;destination&colon;https&percnt;3A&percnt;2F&percnt;2Fwww&period;stubhub&period;com&percnt;2Fchris-stapleton-tickets&percnt;2F">Chris Stapleton<&sol;a><&sol;strong>&nbsp&semi;and&nbsp&semi;<strong>Alabama Shakes<&sol;strong>&comma; offering a refreshing and honest take on country and Americana&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">&OpenCurlyQuote;<em>The writing of the EP has&comma; in truth&comma; taken years&period; It&&num;8217&semi;s very much a project that has been led by the fact we had a collection of unreleased music that had a concurrent sound running through it and it was a damn shame not to have it out in the world&period; So in that sense getting the tracks together has taken a long time&comma; but once we put the dots together&comma; the project came together very quickly&period;&nbsp&semi;<&sol;em><em><&sol;em><&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">&OpenCurlyQuote;<em>This is a very proud moment for us both&period; We have always been hugely proud of these songs and it&&num;8217&semi;s a pleasure to share them with the world&period; We just hope listeners enjoy the music as much as we had making it&period;<&sol;em>’ &&num;8211&semi;&nbsp&semi;<strong>Cash &amp&semi; Carter<&sol;strong><strong><&sol;strong><&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">The EP opens with the anthemic title track&comma; showcasing the strong songwriting prowess the artists possess as the track builds to a chorus bursting with rich musicianship&period; Shaun’s soulful vocals are on full display right out of the gate&comma; easily gliding between a low croon and a powerful belt&comma; while Ross’ guitar skills are expertly intertwined with the harmonious backing vocals throughout&period; Their debut single &OpenCurlyQuote;<em>All of the Way<&sol;em>’ also displays this knack for a strong hook&comma; with a fierce pounding beat and a delightful heady mix of multilayered vocals in the chorus&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">Describing previous single &OpenCurlyQuote;<em>Americana &lpar;Letting Her Go&rpar;<&sol;em>’ as &OpenCurlyQuote;cathartic to write’&comma; it allows Cash &amp&semi; Carter to present a tender side&comma; a muffled guitar line opening this ode to a friend lost to suicide&period; It’s a difficult yet beautifully moving track that manages to both pay tribute to their memory and act as a cathartic exploration of the grieving process of such a profound loss&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">Following the delicately buoyant &OpenCurlyQuote;<em>Ballad of Talulah<&sol;em>’&comma; in a bold move&comma; the duo close the EP with an inspired take on a classic by&nbsp&semi;<strong>The Cure<&sol;strong>&comma; &OpenCurlyQuote;<em>Just Like Heaven<&sol;em>’&period; In their hands&comma; it becomes an eerie pensive stomp which slowly builds with lead singer Shaun’s atmospheric vocal delivery&comma; Ross’s skilful guitar and some powerful percussion taking the original into a much darker realm&period; Just as Cash &amp&semi; Carter show their capability of constructing a powerful ballad&comma; they demonstrate their knack of extracting something hidden within a popular song to make it their own&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">Explaining why they decided to record their own version&comma; Shaun simply says it’s because &OpenCurlyQuote;<em>We loved it&period; The reason we chose to do that song as a cover is because we felt we could really change its feel&period; The original is such a fast&comma; major song&comma; there are a lot of things to play around with&period;<&sol;em>’<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">With their modern mix of UK country and flashes of traditional Americana the duo have been hotly tipped for success since releasing their debut single in 2023&comma; which catapulted straight onto the&nbsp&semi;<strong>US New Music Friday Country Playlist<&sol;strong>&nbsp&semi;on Spotify&period; Further single support has been seen from&nbsp&semi;<strong>Noctis Magazine<&sol;strong>&comma;&nbsp&semi;<strong>God Is In The TV<&sol;strong>&comma;&nbsp&semi;<strong>Songwriting Magazine&nbsp&semi;<&sol;strong>and&nbsp&semi;<strong>Entertainment Focus<&sol;strong>&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"wp-block-paragraph">Cash &amp&semi; Carter is the side project of two incredibly talented songwriters in their own right &&num;8211&semi; Birmingham artist Shaun Smith &lpar;aka Stealth&rpar; and successful London singer&comma; writer and producer Ross O’Reilly&comma; who together possess an impressive collective stream count of over<strong>&nbsp&semi;100 million&nbsp&semi;<&sol;strong>&&num;8211&semi; a testament to their individual artistry and their ability to captivate audiences worldwide&period; Coming together to create Cash &amp&semi; Carter after meeting through a mutual friend&comma; they have forged a partnership that brings their individual strengths and influences into one harmonious blend&period;<&sol;p>

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