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Eric Church’s "Record Year" Claims No. 1, Both Charts

Eric Church on Country Music News Blog

<p><strong><a title&equals;"ERIC CHURCH" href&equals;"https&colon;&sol;&sol;countrymusicontour&period;com&sol;eric-church-tour-dates&sol;">ERIC CHURCH<&sol;a> CEMENTS SEVENTH NO&period; 1&comma; &OpenCurlyDoubleQuote;RECORD YEAR”<&sol;strong><&sol;p>&NewLine;<p><i>Church’s second single reaches summit on <&sol;i>Billboard<i> and MediaBase as he prepares for back-to-back solo shows at the <a title&equals;"Red Rocks" href&equals;"https&colon;&sol;&sol;ticketmaster&period;evyy&period;net&sol;c&sol;1224809&sol;264167&sol;4272&quest;subId1&equals;WPScmnbRedRocks&u&equals;https&percnt;3A&percnt;2F&percnt;2Fwww&period;ticketmaster&period;com&percnt;2Fred-rocks-amphitheatre-tickets-morrison&percnt;2Fvenue&percnt;2F245763&partnerpropertyid&equals;5213910&MediaPartnerPropertyId&equals;5213910">Red Rocks<&sol;a> Amphitheatre Aug&period; 9 and 10<&sol;i><&sol;p>&NewLine;<p>&nbsp&semi;<&sol;p>&NewLine;<p>NASHVILLE&comma; Tenn&period; &lpar;Aug&period; 1&comma; 2016&rpar; – <strong><a title&equals;"Eric Church" href&equals;"https&colon;&sol;&sol;countrymusicontour&period;com&sol;eric-church-tour-dates&sol;">Eric Church<&sol;a>’s<&sol;strong> second single off <i>Mr&period; Misunderstood<&sol;i> hit No&period; 1 today just in time for fans to celebrate his seventh summit to the top of both MediaBase and <i>Billboard<&sol;i> charts when he kicks-off his first of two sold-out solo shows at <a title&equals;"Red Rocks" href&equals;"https&colon;&sol;&sol;ticketmaster&period;evyy&period;net&sol;c&sol;1224809&sol;264167&sol;4272&quest;subId1&equals;WPScmnbRedRocks&u&equals;https&percnt;3A&percnt;2F&percnt;2Fwww&period;ticketmaster&period;com&percnt;2Fred-rocks-amphitheatre-tickets-morrison&percnt;2Fvenue&percnt;2F245763&partnerpropertyid&equals;5213910&MediaPartnerPropertyId&equals;5213910">Red Rocks<&sol;a> on August 9&period; &OpenCurlyDoubleQuote;Record Year” was co-written by Church and his guitarist&sol;banjo player&comma; <strong>Jeff Hyde<&sol;strong> &lpar;who also penned &OpenCurlyDoubleQuote;Cold One” &lpar;with Luke Hutton&rpar;&comma; &OpenCurlyDoubleQuote;Springsteen” &lpar;with Ryan Tyndell&rpar;&comma; and &OpenCurlyDoubleQuote;Smoke A Little Smoke” &lpar;with Driver Williams&rpar; all alongside the man the <i>Los Angeles Times<&sol;i> called &OpenCurlyDoubleQuote;Nashville&&num;8217&semi;s foremost rabble-rouser&&num;8221&semi;&rpar;&comma; and outlines a story of a heartbroken music-lover finding consolation in the records of some of music’s greatest masterminds&period;<&sol;p>&NewLine;<p>Church drove home the homage-paying theme of &OpenCurlyDoubleQuote;Record Year” when he performed it at the 2016 <a title&equals;"ACM Awards" href&equals;"https&colon;&sol;&sol;ticketmaster&period;evyy&period;net&sol;c&sol;1224809&sol;264167&sol;4272&quest;subId1&equals;WPScmnbACM&u&equals;https&percnt;3A&percnt;2F&percnt;2Fwww&period;ticketmaster&period;com&percnt;2Facademy-of-country-music-awards-tickets&percnt;2Fartist&percnt;2F866377&partnerpropertyid&equals;5213910&MediaPartnerPropertyId&equals;5213910">ACM Awards<&sol;a> in April&comma; which was interfolded with clips of David Bowie&comma; Glenn Frey&comma; Lemmy and Scott Weiland&comma; before releasing the music video for the ode later that month&comma; featuring a 3D audio waveform Church and video producer&sol;longtime manager&comma; <strong>John Peets<&sol;strong>&comma; built by hand with vinyl&period; The No&period; 1 follows his Top 15 title track off of <i>Mr&period; Misunderstood<&sol;i>&comma; the album <i>New York Times<&sol;i> says offers &OpenCurlyDoubleQuote;shades of the Allman Brothers and the scraped-up Southern rock that has always been essential to Church’s country antagonism here&comma; but also bluesy country gospel&period;”<&sol;p>&NewLine;<p>Since its release in February&comma; the hit has caught the attention of critics&semi; <i>Los Angeles Times<&sol;i> calls the single a&comma; &OpenCurlyDoubleQuote;deeply felt heartbreak song&comma;” <i>Rolling Stone<&sol;i> dubbed it &OpenCurlyDoubleQuote;the most moving moment” on the album&comma; while <i>Stereogum<&sol;i> called it a&comma; &OpenCurlyDoubleQuote;pun-happy lament” that &OpenCurlyDoubleQuote;does quiet to loud in an efficient gears-changing way that screams professionalism rather than catharsis&period;”<&sol;p>&NewLine;<p>Whether it’s the direct mentions and subtle allusions to his variety of musical muses such as George Jones&comma; Stevie Wonder&comma; James Brown&comma; Waylon Jennings&comma; <a title&equals;"Willie Nelson" href&equals;"https&colon;&sol;&sol;stubhub&period;prf&period;hn&sol;click&sol;camref&colon;1100ljXyr&sol;pubref&colon;WPSWNelson&sol;ar&colon;CMNBAutoLink&sol;destination&colon;https&percnt;3A&percnt;2F&percnt;2Fwww&period;stubhub&period;com&percnt;2Fwillie-nelson-tickets&percnt;2F">Willie Nelson<&sol;a> and more&comma; or the undeniable responsibility anyone freshly jaded out of a relationship puts on their favorite artists to cope&comma; Church &OpenCurlyDoubleQuote;has always been excellent at balancing <a title&equals;"whiskey" href&equals;"https&colon;&sol;&sol;whiskeychick&period;rocks&sol;branded">whiskey<&sol;a>-charged toughness with open-hearted musical subtlety” &lpar;<i>Rolling Stone<&sol;i>&rpar;&period;<&sol;p>&NewLine;<p>Fan loyalty has always meant a lot to the seven-time GRAMMY nominee&comma; ACM and CMA-award winn ing singer&sol;songwriter&comma; which was made obvious when he directly shipped copies of <i>Mr&period; Misunderstood<&sol;i> on vinyl to his Church Choir before making it available to the general public&period;<&sol;p>&NewLine;<p><u><strong>About <a title&equals;"Eric Church" href&equals;"https&colon;&sol;&sol;countrymusicontour&period;com&sol;eric-church-tour-dates&sol;">Eric Church<&sol;a><&sol;strong><&sol;u><&sol;p>&NewLine;<p>The two-time Country Music Association and four-time Academy of Country Music Award winner cemented his reputation as a maverick by releasing his 2015 album <i>Mr&period; Misunderstood<&sol;i> as a surprise&comma; delivering it to fans before announcing its existence and putting it on sale&period;<&sol;p>&NewLine;<p>The North Carolina native’s previous album&comma; <i>The Outsiders&comma; <&sol;i>debuted at No&period; 1 on both the <i>Billboard<&sol;i> Top 200 Albums Chart and Top Country Albums Chart with the highest debut and sales of any release in the format that year&comma; making Church 2014’s top-selling country music artist&period; The album garnered GRAMMY&comma; CMA and ACM Album of the Year nominations and featured his No&period; 1 hits &OpenCurlyDoubleQuote;Give Me B ack My Hometown” and &OpenCurlyDoubleQuote;<a title&equals;"Talladega" href&equals;"https&colon;&sol;&sol;ticketmaster&period;evyy&period;net&sol;c&sol;1224809&sol;264167&sol;4272&quest;subId1&equals;WPScmnb&subId2&equals;Talladega&u&equals;https&percnt;3A&percnt;2F&percnt;2Fwww&period;ticketmaster&period;com&percnt;2Ftalladega-superspeedway-tickets-talladega&percnt;2Fvenue&percnt;2F263068&partnerpropertyid&equals;5213910&MediaPartnerPropertyId&equals;5213910">Talladega<&sol;a>&comma;” as well as multiple nominee &OpenCurlyDoubleQuote;Like A Wrecking Ball&period;” <i>The Outsiders<&sol;i> was the follow-up to Church’s Platinum-certified <i>CHIEF<&sol;i>&comma; named the 2012 Album of the Year by both CMA and ACM&comma; and GRAMMY-nominated for Best Country Album&period; The LP featured five Top 20 singles&colon; &OpenCurlyDoubleQuote;Homeboy” &lpar;certified Platinum for sales in excess of one million&rpar;&semi; the Top 10 &OpenCurlyDoubleQuote;Like Jesus Does” and the Top 5 &OpenCurlyDoubleQuote;Creepin’” &lpar;both certified Gold for sales in excess of 500&comma;000&rpar;&semi; and two No&period; 1 hits &OpenCurlyDoubleQuote;Drink in My Hand” &lpar;certified Platinum&rpar; and &OpenCurlyDoubleQuote;Springsteen” &lpar;certified Double Platinum for sales in excess of 2 million singles&rpar;&period; Church’s 2006 debut album&comma; <i>Sinners Like Me<&sol;i>&comma; and his sophomore album&comma; <i>Carolina<&sol;i>&comma; &lpar;2009&rpar; are both RIAA Gold certified&period;<&sol;p>&NewLine;<p>&nbsp&semi;<&sol;p>

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