Up and coming Nashville-based country singer Candi Carpenter is proud to debut her acoustic music video for her new song, “Nights and Weekends”, which premiered yesterday on Country Fancast. “Nights and Weekends” came to life as a therapy session with one of her co-writers who’d just finished working a double shift at a restaurant in Nashville. It was also inspired by Candi’s father, who rarely gets to see his wife during the day because of his third shift work schedule.
“I hope this song will encourage people to keep going and hang on to their dreams, even when money is tight and work is wearing them down,” says Candi.
The video was a production made up of Candi’s friends, and fellow artists- Hannah Bethel, Jenny Garner, Melanie Bresnan, and Aaron Kessler (left to right) who all helped with the acoustic performance, while Derek Oxford shot and edited the video himself.
Truly Alvarenga handled set design, and Baumgartner Sound and Design supplied the beautiful handmade speakers that are featured in the video: www.baumgartnersoundanddesign.com
More about Candi Carpenter
“I write my best songs when men piss me off,” says Candi Carpenter, whose fiery first single, “Burn The Bed” tells the story of a scorned woman’s cheating husband. Her aching, soulful voice has drawn comparisons to Janis Joplin and Patsy Cline, while critics have dubbed her “the modern Loretta Lynn” of country songwriting.
“A lot of people say I have a crazy story,” she says. “Maybe I do, but I think we’re all messed up in our own way. That’s why I write about the bad, the ugly, and the good that makes it all worthwhile. The hurt, and the healing, and everything in between.”
Candi’s musical roots are buried deep in memories of stained glass windows and dog eared hymnals, as she toured the midwest with her family’s gospel band. At age 11, she crashed a Vince Gill concert by writing “Can I yodel for you?” on the back of a ticket stub. Later that year, she signed her first production deal in Nashville. She traded high school for a small room at The Shoney’s Inn downtown, and the stages of honky tonk dives like Tootsies and The Broken Spoke Saloon became her classroom. She performed every night until the bars closed down, hiding from the police in the bathrooms.