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Review: Carrie Underwood “Two Black Cadillacs”

<h3>Carrie Underwood &&num;8220&semi;<em>Two Black Cadillacs<&sol;em>&&num;8221&semi; All Sass And No Innovation&quest; – Review<&sol;h3>&NewLine;<p>Following the huge success of her album’s title track&comma; &&num;8220&semi;<em>Blown Away<&sol;em>&&num;8220&semi;&comma; <strong><a title&equals;"Carrie Underwood" href&equals;"https&colon;&sol;&sol;countrymusicontour&period;com&sol;carrie-underwood-tour-dates&sol;">Carrie Underwood<&sol;a><&sol;strong> has released &&num;8220&semi;<strong><em>Two Black Cadillacs<&sol;em><&sol;strong>&&num;8221&semi; a dark narrative creeping up on the footsteps of its predecessor&period; Whereas &OpenCurlyQuote;<em>Blown Away<&sol;em>’ told the story of a young girl leaving her abusive&comma; alcoholic father to die in a tornado&comma; it’s successor revels in the death of a man&comma; whose cheated on and lied to wife and mistress have plotted to murder him for his misdemeanors&period;<&sol;p>&NewLine;<h4>The Sound of the Song&period;<&sol;h4>&NewLine;<p>Just as the two songs previously released from this album&comma; this new single is more pop coumtry and makes no pretenses about it&comma; and equally to &&num;8220&semi;<em>Blown Away<&sol;em>&&num;8220&semi;&comma; the sound is big&comma; dark and dramatic&period;<br &sol;>&NewLine;Much use is made of the electric guitars&comma; heavy driving drums&comma; the wailing string section&comma; the creeping piano riff in a minor key&comma; that combined with the choir &lpar;singing bye bye&comma; bye bye&rpar; really builds this song up&period; It doesn’t stop there&comma; however&comma; and there’s a lot going on musically in this track&comma; with an extended instrumental at the end that makes full use of the musical ideas available&comma; leading to a fade out&period; Carrie’s vocals are strong&comma; convincing and really put the song across well and so far it all looks promising&period;<&sol;p>&NewLine;<h4>The Lyrics&period;<&sol;h4>&NewLine;<p>The lyrics are good and I’m glad to know Carrie had a hand in writing them &lpar;<em>I just have a personal preference for artist writing their own material<&sol;em>&rpar;&period; The narrative describes the man in question’s wife calling a number on his phone and discovering he had a mistress&comma; who equally didn’t know he had a wife&comma; in order to make us feel sympathy for both parties&period; They decide to kill him to get revenge&comma; and the song revolves around the scene of the funeral&comma; where each woman’s black Cadillac pulls up&comma; and they meet for the first time&comma; my favorite line being the pinnacle of the story &OpenCurlyDoubleQuote;<em>it was the first and last time they saw each other face to face&comma; they shared a crimson smile and just walked away&comma; and left the secret at the grave<&sol;em>”&period;<&sol;p>&NewLine;<h4>There are some problems though&&num;8230&semi;<&sol;h4>&NewLine;<ul>&NewLine;<li>Firstly&comma; although I like the lyrics&comma; I feel like there could be a lot more powerful imagery involved and although they tell the story well&comma; there’s plenty of room for embellishment that just wasn’t realized&period; The song does build up&comma; but the instrumental lacks some energy in my opinion&comma; and although there’s a lot going on musically&comma; it all contributes to just a thick guitar-based sound&period; You have to listen carefully to realize that they’ve put a lot of effort into building up the song&period;<&sol;li>&NewLine;<&sol;ul>&NewLine;<ul>&NewLine;<li> However&comma; my biggest problem is that is just sounds like another <em>&&num;8220&semi;Blown Away<&sol;em>&&num;8220&semi;&period; It’s nice to see more lyrical substance from Carrie and some more dark and twisted themes but musically it just doesn’t do a lot compared to what has come before&period; I’m disappointed that she chose to release them both as singles&comma; particularly straight after one another&period; There’s a tactic for such things&comma; and I feel she would have benefited from releasing one of the sweeter-sounding songs on the album as the third single&comma; for example <em>&&num;8220&semi;<strong>Do You Think About Me<&sol;strong><&sol;em>&&num;8221&semi; or &&num;8220&semi;<strong><em>Thank God For Hometowns<&sol;em><&sol;strong>&&num;8220&semi;&period; <em>&&num;8220&semi;Two Black Cadillacs<&sol;em>&&num;8221&semi; could have come fourth or fifth and perhaps it would have been more effective&period; But honestly&comma; to me the songs just sound too similar for the casual radio listener who doesn’t know the two that well and will just assume they’re the same song&period; I’m sure if her record label are putting time&comma; effort and money into releasing another single&comma; they don’t want it to be disposable next to &&num;8220&semi;<em>Blown Away<&sol;em>&&num;8220&semi;&period;<&sol;li>&NewLine;<&sol;ul>&NewLine;<p>I’m not saying it’s a bad song&period; I’m saying it’s a good song&period; However&comma; when we listen to a song for a first time we hear the music first&comma; THEN the lyrics&comma; and if the lyrics are what sets the two songs apart then people aren’t going to initially discern between them&comma; and we all know the first 10 seconds of a song really count&period; People aren’t going to look for the narrative when deciding whether to change stations&period; So&comma; those are my only qualms really&period; Other than that I can see it doing well &lpar;<em>and I really love the artwork&excl;&excl;<&sol;em>&rpar;<&sol;p>&NewLine;<p>The video hits our screens in January 2013&comma; in the meantime you can <a href&equals;"https&colon;&sol;&sol;itunes&period;apple&period;com&sol;us&sol;album&sol;two-black-cadillacs&sol;id521092252&quest;i&equals;521092255 ">buy it from iTunes here<&sol;a>&period;<&sol;p>&NewLine;<h3>Vickye is a guest contributor&excl; Find her on Twitter&colon; &commat;planmymistake or her own site&colon; www&period;forthecountryrecord&period;tumblr&period;com&excl;<&sol;h3>

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